John Cuniberti returns to discuss the last 10 years of his career since our last conversation. We cover his amazing OneMic series, plus his work with Joe Satriani and Paul Gilbert.
Richie Zito was signed to Atlantic Records at the age of 15, played with Elton John, Rick James, Beach Boys, and Ringo, and Produced Heart, The Cult, Poison and Richie Kotzen. And that’s just scratching the surface. Hear Riche Zito talk about his entire career, and why he is still obsessed with the guitar.
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Aldo Novo tells us about his early days, learning guitar and early bands in Montreal, his success with “Fantasy”, working with Jon Bon Jovi, writing for Celine Dion, and what he’s working on today.
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John Cuniberti returns to give us his top 20 tips for recording engineers, the history of Reamp (and why he created it during the mixing of Joe Satriani’s “Time Machine”), and looks at two more projects he worked on – Kevin Gilbert’s “Taming of the True” (which he calls his favorite cd he’s worked on) and Sammy Hagar’s latest – “Sammy Hagar and Friends”.
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Bob Daisley takes us through his career, and gives us a taste of what’s in his new autobiography “For Facts Sake”. He explains how he got his start as a bassist, and goes into detail on his pivotal role in Ozzy’s first 6 studio albums. Plus he talks about his working relationship with Gary Moore, and his plans for the “Holy Grail” – his rehearsal tapes of the original “Blizzard of Ozz” band with Randy Rhoads.
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Jason Bieler explains how he got started as a guitar player, and his first big break playing in Jeff Scott Soto’s Talisman. He covers how Saigon Kick got their start, their early success with “Love Is On The Way” (the ballad that killed hair metal), his move to lead vocalist, his unexpected success in Indonesia, Super TransAtlantic, Bieler Bros Records, the reunion with Saigon Kick, and his new project – Owl Stretching.
Note: I had to travel unexpectedly on a family matter so there is no intro/outro on this show. But I got it edited and up on time, and that’s a win.
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John Cuniberti explains how he got his start, what it’s like to produce Joe Satriani and The Dead Kennedys at the same time, the recording of “Surfing With The Alien”, “Flying In A Blue Dream” and “The Extremist”, the challenges of recording George Lynch’s “Sacred Groove”, and his shift into mastering cd’s.
Grammy-winning record producer and sound engineer, Keith Olsen takes us through his career. He covers his early days at Sound City, his role in the creation of Fleetwood Mac, and what it’s like to be in the studio with the Grateful Dead, Whitesnake and Lynch Mob.
Guitarist Ronny Jones shares his story. Ronny was in the band Mac Meda with Robin Crosby (RATT) and Rob Lamothe (Riverdogs) and two of their songs (I’m Insane and Scene of the Crime) appeared on RATT’s smash album “Out Of The Cellar”. Ronny and Rob were co-writers of the tracks, but never given credits on the album. Ronny explains the lawsuit that followed, as well his next band, Black Bambi, which had their debut album produced by Beau Hill, but never release due to politics at Atlantic Records.
Producer Max Norman walks us through his career working with Ozzy Osbourne (Blizzard of Ozz, Diary of a Madman, Speak of the Devil, Bark at the Moon, Tribute), Lynch Mob (Wicked Sensation) and Megadeth (Rust in Peace, Countdown to Extinction, Youthanasia).
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Bob St. John discusses his entire career as a Grammy winning record producer. He covers the recording of all 5 Extreme albums, what it’s like to work with Nuno Bettencourt, as well as Duran Duran and Collective Soul.
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